Designing music systems for Broadway isn't only about playing back orchestral libraries. We have to factor in acceptable latency for the player, as well as balance DSP effects as needed for each show. I promise you have no idea what goes into it unless you happen to be one of the five or so people that do this sort of stuff in NYC.
Totally get that. And don’t claim to know. However the article didn’t help me learn anything about it either which was part of my point. The title was impact of apple silicon on Broadway and I’m still speculating...
The only mention was big sample libraries which are not generally cpu bound. If they mentioned 300 note polyphony or analog or physical modeled synths or even mention some of the software used I’m happy to learn. The point is that there is no detail here. I have run daws and pro audio for over 20 years and I want to know details.
